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Bona (1980)
Dec
5

Bona (1980)

Bona (1980) — Lino Brocka

Philippines, DCP, 85 mins.

To claim that Lino Brocka has influenced our cinema is not accurate. Lino Brocka is part of our DNA, part of our national psyche,” said Lav Diaz, one of the icons of contemporary Filipino cinema. Coming to international attention thanks to Pierre Rissient in the mid-1970s, Brocka’s cinema has imposed itself with disruptive force since his first appearance at Cannes’ Directors’ Fortnight in 1978.

This event is presented by the Department of Asian and Middle Eastern Studies and sponsored by the University of Minnesota Imagine Fund

New Restoration! Admission is free at the door

Playing as part of Archives on Screen

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Kinetic Visions in the Bentson Mediatheque
Mar
21

Kinetic Visions in the Bentson Mediatheque

Kinetic Visions in the Bentson Mediatheque

  • Something Good — Negro Kiss |1898| dir. by William Nicholas Selig | u.s., 1 mins.

  • All My Life |1966| dir. by Bruce Baillie | u.s., 3 mins.

  • Living Inside |1989| dir. by Sadie Benning | u.s., 5 mins.

  • 7-7-94 For my babe |2020| dir. by Paige Taul | u.s., 3 mins.

  • Show Me Other Places |2021| dir. by Rajee Samarasinghe | Sri Lanka/U.s., 12 mins.

  • Verticial Roll |1972| dir. Joan Jonas | u.s., 20 mins.

  • Mirror Products Catalog |2023| dir. by Annapurna Kumar | u.s., 5 mins.

digital, ~50 mins.

In conjunction with the opening of the exhibition Motion Capture: Recent Acquisitions in Media and Performance, this playlist of kinetically driven imagery from the Ruben/Bentson Moving Image Collection, contemporary artists’ films, and other historic works loops in the Bentson Mediatheque on Thursday, March 21, 6 to 9 pm. It will remain available in the Mediatheque for self-select viewing until Thursday, April 4.

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The Royal Tigress [Tigre reale] (1916)
Mar
5

The Royal Tigress [Tigre reale] (1916)

The Royal Tigress [Tigre reale] (1916) — Giovanni Pastrone

Italy, DCP, 80 mins., New Restoration

featuring a live performance by Italian musicians Stefano Maccagno and Furio Di Castri

preseneted by The Italian Cultural Institute of Chicago, in collaboration with the Italian Cultural Center of Minneapolis / St. Paul, and Archives on Screen, Twin Cities

This event is free

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Gaza Ghetto (1985) [16mm]
Feb
22

Gaza Ghetto (1985) [16mm]

  • old bell auditorium, university of minnesota (map)
  • Google Calendar ICS

Gaza Ghetto: Portrait of a Palestinian Family (1985) — Per-Åke Holmquist, Joan Mandell, Pierre Björklund

Sweden/Palestine, 16mm, 82 min.

awtt.haaus is proud to present this event in collaboration with mizna and FLAGS-JP

This is a free screening of the first feature length documentary shot in gaza. Donations are being accepted and will be used for feminine hygiene kits for the women in gaza, courtesy of pious projects and the asad sisters.

Film Trailer

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Il Cinema Ritrovato On Tour ‘24 Opening Night Program
Feb
15

Il Cinema Ritrovato On Tour ‘24 Opening Night Program

Il Cinema Ritrovato On Tour ‘24 Opening Night Program

Films in the Program:

  • The Voice of the Nightingale [La voix du rossignol] (1923) | dir. by Ladislas Starevich (Wladyslaw Starewicz) | 12 mins. | with live musical accompaniment by Molly Raben

  • Patouillard Has a Jealous Wife [Patouillard a une femme jalouse] (1912) | dir. by Romeo Bosetti | 6 mins.

  • Germaine Dulac Illustrated Records

    • Celles qui s'en font (1930) | 6 mins.

    • Ceux qui ne s’en font pas (1930) | 8 mins.

    • Un peu de rêve sur le faubourg (1930) | 11 mins.

France, dcp, ~45 mins.

This event is free.

Highlighting restored, archival, and silent cinema from Il Cinema Ritrovato's annual festival in Bologna, Italy.

Presented by Archives on Screen Twin Cities

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sound for silents: film + music on the walker hillside
Aug
17

sound for silents: film + music on the walker hillside

sound for silents: film + music on the walker hillside

Join us at sunset on the hillside for Sound for Silents, an electrifying evening of live music paired with films from the Ruben/Bentson Moving Image Collection. Returning for its seventh year, this summer’s experience will feature a newly commissioned score from Twin Cities–based musicians.

The event begins at 7 pm with DJ and food trucks; film screening and live performance begins at 8:30 pm.

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film: the living record of our memory (2021)
Jun
8

film: the living record of our memory (2021)

film: the living record of our memory (2021) — Inés Toharia Terán

spain/canada, DCP, 120 mins.

There is no charge for admission to this screening. Half of the available seats are offered for advance reservation online, and the remaining half will be available at the door on a first come basis, starting at 6:30pm on June 8th.

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cineconcert: dante’s inferno [l’inferno] (1911)
May
5

cineconcert: dante’s inferno [l’inferno] (1911)

cineconcert: dante’s inferno [l’inferno] (1911) — giuseppe de liguoro, francesco bertolini, adolfo padovan

italy, dcp, 71 mins.

this screening is accompanied with live music by Stefano Maccagno (piano) and Furio Di Castri (double bass), based on the mesmerizing musical score composed by Maestro Maccagno

the event is free, with a suggested donation of $15. Seating is first come first served.

Highlighting restored, archival, and silent cinema from Il Cinema Ritrovato's annual festival in Bologna, Italy

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FADIA’S TREE (2021)
Sep
29

FADIA’S TREE (2021)

(2021, DCP, documentary, 82m, Arabic and English w/English subtitles) dir. Sarah Beddington. Lebanon, Palestine, United Kingdom. While millions of birds migrate freely in the skies, Fadia, a Palestinian refugee in Lebanon, yearns for the ancestral homeland she is denied. She challenges the director, Sarah, to find an ancient mulberry tree that stands witness to her family’s existence with only inherited memories, a blind man, and a two-headed dragon as her guides. Along the way, Sarah meets with ornithologists whose observations on the homing instincts of the birds that pass through the area inadvertently reveal the unresolved problems of the region. Spanning fifteen years, this story of a friendship that stays connected across a divided land and a fragmented people adopts a bird’s eye perspective to reflect on freedom of movement, exile, and the hope of return.

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