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Sunset Boulevard (1950) [35mm]
Mar
24

Sunset Boulevard (1950) [35mm]

Sunset Boulevard (1950) — Billy Wilder + THE LIFE AND DEATH OF 9413, A HOLLYWOOD EXTRA (1928) — Robert Florey, Slavko Vorkapich

United States, DCP/35mm, 13+110 ~123 mins.

THE LIFE AND DEATH OF 9413, A HOLLYWOOD EXTRA is a silent short that will be screened before the feature presentation, with live musical accompaniment by Ed Copeland

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Boogie Nights (1997) [35mm] ***SOLD OUT***
Mar
1

Boogie Nights (1997) [35mm] ***SOLD OUT***

Boogie Nights (1997) — Paul Thomas Anderson

United States, 35mm, 155 mins.

Playing as part of The masterworks of Paul Thomas Anderson

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Boogie Nights (1997) [35mm] ***SOLD OUT***
Feb
28

Boogie Nights (1997) [35mm] ***SOLD OUT***

Boogie Nights (1997) — Paul Thomas Anderson

United States, 35mm, 155 mins.

Playing as part of The masterworks of Paul Thomas Anderson

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My First Film (2024)
Jan
18

My First Film (2024)

My First Film (2024) — Zia Anger

United States, DCP, 100 mins.

Zia Anger’s absorbing, semi-autobiographic metafiction captures the failures of Vita (Odessa Young), a 25-year-old artist trying to make a nebulously personal movie in 2010. Reflecting on the preoccupations of a creative coming-of-age protagonist, Anger re-creates authentically uncomfortable, hilarious, and chaotic moments on set and behind the scenes with a cast and crew of friends and family. The beguiling result takes audiences through a circuitous unraveling to ask what it means to be a voyeur of one’s own messy life. Featuring a cameo by Sarah Michelson as an abortion doctor and music by Perfume Genius.

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My First Film (2024)
Jan
17

My First Film (2024)

My First Film (2024) — Zia Anger

United States, DCP, 100 mins.

Zia Anger’s absorbing, semi-autobiographic metafiction captures the failures of Vita (Odessa Young), a 25-year-old artist trying to make a nebulously personal movie in 2010. Reflecting on the preoccupations of a creative coming-of-age protagonist, Anger re-creates authentically uncomfortable, hilarious, and chaotic moments on set and behind the scenes with a cast and crew of friends and family. The beguiling result takes audiences through a circuitous unraveling to ask what it means to be a voyeur of one’s own messy life. Featuring a cameo by Sarah Michelson as an abortion doctor and music by Perfume Genius.

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